Two weeks are the toughest, so hold your breath…

So it is 2am and I am still awake. I think I successfully watched nearly four different movies all in a row today. I’ve never done that. This is what happens when I get really anxious for things to happen.

I’m waiting on work to get me on the schedule and they are taking their jolly time with it, all the while, I am entirely broke and have only a week and a half to make 850$! Can I do it?!!!

I have too.

So, I opened a new bank account with Chase and also applied for my very first ever credit card with Chase. My plan is to use the card if I am not able to make my October’s rent and then pay it off immediately. Needless to say, I will be working overtime, gritting my teeth all the way.

But no worries. It’s not like I have anything else to do…yet. First order of business is to save money and work lots.

And that’s exactly what I need to do! If only I could do RIGHT NOW!

So, there you have it. I’m sitting here roaming around the house, taking pictures of horses in the yard, watching a sci-fi, a horror flick, part of a horribly cheesy and stupid porno (I just don’t get how it gets people off, it’s laughable), another horror, and historical drama ALL IN ONE DAY!

Then when I’ve run out of interest in watching anymore movies, I sit here and write…very, very numbly, hoping that I can survive these two weeks.

And, I have too.

Because there’s no turning back. Because I know that if I couldn’t, I would fail myself in everything.

Oh, and did I mention that I did 200 crunches just for the fucking hell of it?

Two more weeks and I’ll be able to breathe again.

Already been done…aw, shit.

So my mom and I went to see Julie&Julia, which was a very cute movie that made me very hungry, and then afterwards, my mom gave me the news.

Apparently, I don’t have very original ideas when concerning my blog. I’m moving to California in three days and I was planning on documenting my adventures as I pursue my career as an actor. Because this career is particularly grueling, I thought it would be a good idea, not only for me, but for other actors who might want encouragement, to read about the trials, challenges, and sometimes positive outcomes that a working actor experiences.

Well! It turns out it’s already been done. Not that I thought I’d be the ONLY one writing about the shit actors go through, but not only has this already been DONE, but the girl who had written it is now famous and making a movie out of her blog!! Which makes my plans completely obsolete!

At least, this is what my mom had heard.

So if I continue with my plan on writing about my adventures as an actor, who would care, because somebody else has already beaten me to it. And making a movie!! A MOVIE! Oh, please. I don’t see how it’s going to be any good. Reading about it is much more entertaining than watching it.

In any case, looks like I need a fresher idea.

But…knowing me…I’ll probably just stick with my original plan. Unless anyone else has any better ideas…whoever you are.

1970 Reviews

Intro-

A little over a year ago, I had the sudden urge to watch every science fiction feature film starting from 1970 to now in order. Being already a sci-fi nerd, I wanted to see which era had the most interesting and imaginative sci-fi stories, and I was also intrigued by the changing and developing special effects throughout each decade. I, now, have finally reached the millennium era, but it’s not over yet! As I had gone throughout the years, I know that I had missed some. Sooner or later, I will go back to the years and cover the ones I missed.

I will keep my reviews in order by year and will include a brief analysis on story, special effects, acting, and direction.

1970
 

 

Beneath the Planet of the Apes

Director, Ted Post

Intriguing plotline, though it goes a little cooky with the futuristic, mind reading, evolved humans. It would have been more interesting if the story continued with Taylor’s journey to find the last remnants of human civilization. Lacks the strong direction of the first movie, Planet of the Apes. The general feel of the film is claustrophobic and not in a purposeful way. It feels stagnant and has plenty of room to grow. Special effects lack any purpose and the acting is dead. I rate it a D+.

1971
 

 

The Andromeda Strain

Director, Robert Wise

Fantastic story! Keeps you engulfed all the way from beginning to end. Little special effects, but wisely used. Doesn’t need too much of it to keep you into the story. Acting is strong and direction is solid. I rate it a B+.

Omega Man

Director, Boris Sagal; Starring Charlton Heston

Oh, please! Watching this drunk might have made this sadly serious film into a comedy. The story is interesting only because it’s the film version of the novel I Am Legend. The new movie with Will Smith was a remake of Omega Man, a remake that was smartly chosen. The disco-ish style of the music adds to the horribleness of the film. The direction is weak, and although Charlton Heston’s acting is his usual style, it doesn’t help the movie at all! All in all, I grade it a D.

THX 1138

Director, George Lucas; Starring, Robert Duvall

Though the story is a little slow, it has a great concept. It is ahead of its time, definitely unlike the typical 70s film style. This is one of Lucas’ first films and is really well-done. The direction is very good and the film is filled with very well-known actors. The action picks up near the middle of the film and continues to keep you hooked. The story itself is very complex and deep, and when the film ends, you’re left a little lost in your own thoughts and assumptions. I give it a B+.

1972
 

 

Silent Running

Director, Douglas Trumbull

Awful special effects, which is interesting because a number of people who worked on 2001: A Space Odyssey also worked on this film. The story could have been improved upon, the direction was poor, and the acting was way too 70s-cheesy to make it believable that it was far into the future. The main character was like a hippy-in-space type of guy who’s best friends were little robot units (very R2-D2-like) and talked to plants. Boring and dull and a waste of film. Grade D.

1973
 

 

Soylent Green

Director, Richard Fleischer; Starring Charlton Heston

Cult film with imaginative storyline. Acting is well-done and direction is strong. However, as much as I respect the concept of this film, I vote for this being one of the chosen to be remade. It needs a lot of help in the futuristic-concept department and music score department. It reeks of 70s and isn’t believable that this kind of a world would be what the future would look like. Grade C+.

1974
 

 

Dark Star

Director, John Carpenter

This might have been Carpenter’s first attempt at science fiction, but, boy, does it suck. I could barely get through the movie without skipping forward in hopes that there was anything interesting. It was so bad that I barely remember the plot, being that the plot was also so vague and directionless I found myself wondering what the point of it all was. Another horribly, pointless claustrophobic film. It had the potential to be a good story—oh wait, I take it back. Not really. Grade F.

Flesh Gordon

Director, Michael Benveniste and Howard Ziehm

A soft-porn spoof off of the classic Flash Gordon serials. Of course, I’m gonna say it had a great storyline if only because it was based off the original Flash Gordon. However, the acting, directing, and special effects (very reminiscent of Ray Harryhausen’s stop-motion style) was all bad, bad, bad. Then again, if you’re in the mood for a comedic porno that’s more interesting than your typical vagina flick, I suggest this movie. It’ll get the job done and keep you interested in the plot at the same time! Science fiction grade F; porno grade A.

1975
 

 

Rollerball

Director, Norman Jewison; Starring James Caan

Though there were yawn-moments in this film, the story is very smart and original that you stay loyal until the end. The acting, especially with James Caan (your early 1970s Harrison Ford) leading the way, was very strong and believable. The direction was good and even the cinematography was creatively artistic. You do have to push through those lagging moments, however, but in the end, you feel satisfied with the film. Grade B-.

1976
 

 

Logan’s Run

Director, Michael Anderson; Starring Michael York

Fabulous film! Very long, but very engaging. The story is topnotch original and entertaining. This movie starts off on a league of its own and hooks you to the end. The recent film The Island has a lot of parallels with Logan’s Run and I wouldn’t be surprised if the writer for The Island got most of his ideas from this movie. Acting and directing is great. The only problem I have with the film is the special effects. Even for a 70s film, it could have had way better graphics. I would like to see this movie remade, but only if the concept team was topnotch. Grade A.

1977
 

 

Close Encounters of the Third Kind

Director, Steven Spielburg; Starring Richard Dreyfuss

Enter Spielburg! Coming right behind Lucas with his first science fiction film that was to compete against Lucas’ Star Wars. This story makes aliens the nice guys and keeps you engaged till the end. Not a boring moment! Music by John Williams, so you have a fabulous score. Acting is topnotch, led by Richard Dreyfuss. And direction is, of course, flawless. Grade A.

Star Wars

Director, George Lucas

So Lucas takes the spotlight in 1977 by blowing away billions in the theater. The story captivates audiences and continues to do so throughout generations. Though the story, direction and acting are not without it subtle flaws, it remains legendary. The special effects are first-rate and started the CGI growing trend. This movie gets an A+.

1978
 

 

Starcrash

Director, Luigi Cozzi; Starring David Hasselhoff and Christopher Plummer

Though this movie seems to have an all-star cast, it’s as bad as a rotten egg. The special effects was like watching cartoon animation around live-action. That worked in the famous film Roger Rabbit, but please, spare us of Starcrash! Grade F.

1979
 

 

Alien

Director, Ridley Scott

Another phenomenal film, story rich with elegance and space horror. Acting at its best, of course it should be with an all-star cast. Direction is flawless. Cinematography and music is so masterfully coordinated, you feel what the characters feel. Special effects is also at its best. There isn’t one flaw with this film as it takes the top of science fiction films of the 70s. Grade A++.

Mad Max

Director, George Miller; Starring Mel Gibson

A fantastic movie based in the post-apocalyptic era. Though it is an independent film, it escalated a whole franchise and cult-following with Gibson as the lead. The story is original and well-crafted. There isn’t really any special effects, if you don’t count the action-packed sequences between cars and motorcycles riding each other off. Tremendous film without a boring moment. Grade A-.

The Black Hole

Director, Gary Nelson

Uh, oh. Here comes Disney with their own science fiction film. Look out! This movie is riddled with awfulness. Grade D.

Moonraker

Director, Lewis Gilbert; Starring Roger Moore

Sci-fi being the top competitor! Well, James Bond can go to space too! Pretty self-explanatory…Grade C.

Star Trek: The Motion Picture

Director, Robert Wise

Since Star Wars came out, Paramount wanted to bring back Star Trek. Though the film inspired a massive franchise including continuous television series and decades of other films, the first of the first wasn’t so great. The loyalest of fans could barely get through this film without yawning. The movie focused most of its attention special effects rather than the story, which is, in my opinion, a huge mistake! Scene after scene, you have to sit through slow panning of visual effects and the showing of the Enterprise to the point where you wanna say “I get it already!”. Grade C+.

~~~

 

Out of all the science fiction films of the 70s, Ridley Scott’s Alien was the most creative, emotionally engaging, and artistically enhanced film of that decade. It stands out with its original story and concept, accompanied by the superb acting and talented directing, along with its top-of-the-line special effects.